“[The Bergamot Quartet and Claire Chase] performed Anthony Cheung’s “Real Book of Fake Tunes,” a collection of short pieces that are not exactly “tunes” in the traditional sense, but rather encourage performers — and audiences — to luxuriate in the shifting colors and textures of the instruments… Bergamot’s sound zipped up, radiating with an urgency to communicate something fascinating and rare.”
Elizabeth Nonemaker, The Baltimore Sun