Zachary Lewis, The Plain Dealer

“By means of harp, synthesizer, and a vast ensemble with a battery of percussion, Cheung evoked the god's travels and death in the underworld while paying homage to the privileged place in lore held worldwide by many instruments… The basic act of the harp (and pre-recorded sounds of lyre-like instruments) taming wild forces came across in vivid, powerful focus… Near the end, a recorded mash-up of older, Orpheus-based music took over and faded out, simulating in haunting fashion the figure's demise.”