East coast premiere of pulsate, fixate for solo flute (2024), on the NY Phil's Sound On series, curated by John Adams.
Ways of Undoing for horn and viola quintet premieres at the Sounds of US Festival at the Kennedy Center, with Robert Reardon and NSO Youth Fellows.
Mezzo-soprano Fleur Barron and the Parker Quartet tour a new work setting the poetry of Victoria Chang and Arthur Sze. Harvard (Nov. 15), Philadelphia (Nov. 20), Syracuse (Nov. 23).
BMOP (cond. Gil Rose) premieres "Volta" for orchestra at Brown University's Lindemann Performing Arts Center, part of the 21st-Century Orchestra residency.
Pianist David Kaplan performs Holding Patterns, written for him in 2020, part of a program titled “Quasi una fantasia” at the Ravinia Festival.
Talea Ensemble performs Clocks for Seeing (2023) at the Bowdoin International Music Festival, part of the Gamper Festival of Contemporary Music.
Solo and duo set on keyboards, with Zeena Parkins, harp. Part of the Yarn/Wire International Institute performances at the DiMenna Center, NYC.
Pianist Szuyu Su premieres in place, at hand, a commission from Music Academy of the West.
Seattle Modern Orchestra performs the west coast premiere of Clocks for Seeing (2023) at Meany Studio Theater at Meany Hall, part of a residency at the University of Washington School of Music.
The International Contemporary Ensemble (ICE) performs Bagatelles (2014) as part of the Janet and Arthur Ross Rome Prize Ceremony and Concert, at Carnegie’s Weill Recital Hall.
The IU New Music Ensemble, conducted by David Dzubay at Indiana University’s Jacobs School of Music, performs Parallel Play (2022) for large ensemble.
Denis Bouriakov, principal flute of the LA Philharmonic, premieres pulsate, fixate at Walt Disney Concert Hall, part of the LA Phil Etudes project and the Green Umbrella series, curated by John Adams.
The Score Collective ensemble of the Conservatorium van Amsterdam performs Twin Spaces, Intertwined (2015) at TivoliVredenburg in Utrecht.
The premiere of “Well,” Miro Magloire’s evening-length ballet choreographed to the violin/piano music of Anthony Cheung, with the dancers and musicians of New Chamber Ballet.
Soprano Paulina Swierczek, and pianist/curator Nathaniel LaNasa perform All thorn, cousin to your rose at the New York Festival of Song Next Festival. Rubin Museum of Art, New York City.
Pianist Clare Longendyke performs Scintilla, a work commissioned by her, at Cirigliano Studio Theatre at Lorain County Community College, in Elyria, Ohio.
Pianist Clare Longendyke premieres Scintilla, a work commissioned by her, at Dragonfly Barn, Bridgton, Maine.
Yarn/Wire premieres Tactile Values at TIME:SPANS 2023, DiMenna Center, NYC.
Flutist Alex Sopp joins the JACK Quartet in a performance of The Real Book of Fake Tunes at New Music at the Point (Leicester, Vermont) where Anthony Cheung is on faculty in June 2023.
Artists from the American Modern Opera Company perform the NY premiere of “the echoing of tenses” at the 92NY.
Performance of the echoing of tenses and other works, part of the AMOC* at Brown residency.
Duo concert (pianos doubling keyboards) at Wheaton College Massachusetts, with Cory Smythe. Compositions/improvisations including a new arrangement by Cheung of Sibelius’ Symphony No. 7
Premiere of Clocks for Seeing by the Talea Ensemble at New York’s DiMenna Center.
Pianist David Kaplan performs the east coast premiere of Holding Patterns, a work written for him in 2020, at Merkin Concert Hall in New York City.
Premiere of a new work commissioned by the LA Phil New Music Group, conducted by John Adams. Walt Disney Concert Hall. Details TBA.
Ensemble Court-circuit, conducted by Jean Deroyer, performs Ebbing Flow in Montreal.
Kaleidoscope Night Music Series presents flutist Lina Andonovska and the Ficino Ensemble in The Real Book of Fake Tunes at Bello Bar in Dublin.
Paris-based Ensemble Court-Circuit, conducted by Jean Deroyer, performs Ebbing Flow (2007) as part of its American tour, Impulses. Concerts at the University of Buffalo, Kent State, and in Cleveland.
